This year Life Teen is creating a new series on what it means to value life. Life Teen knows the value of art for both attracting and challenging young people to and with the faith. They got Ryan McQuade on it because we all know that Ryan doesn’t disappoint, and sure enough he blew it out of the water. He designed a collage for each life issue in the series that both sparkle in your eyes and punch you in the gut.
This year Life Teen is creating a new series on what it means to value life. Life Teen knows the value of art for both attracting and challenging young people to and with the faith. They got Ryan McQuade on it because we all know that Ryan doesn’t disappoint, and sure enough he blew it out of the water. He designed a collage for each life issue in the series that both sparkle in your eyes and punch you in the gut.
The primary message behind the series is that being pro-life is much more of a mentality you carry through life than a just a political cause to rally behind. Each life night in the series covers a marginalized group or life issue. Just looking at the collages will tell you that this is not the same kind of ProLife series many of us probably had in our youth groups. This series is going to feature ever so popular topics like immigration, the poor, the death sentence, and assisted suicide. Most of us that are working in the Church know that on the ground in parishes, those topics are not the safest to break open. I’m proud of Life Teen for pushing their youth ministers to talk about these issues and equipping them not just with teaching, but with art.
I asked Ryan why he decided on collage as his medium for this project. This is what he said:
““I’ve never really worked in collage before but I felt it was the right project to try it out on. It was really important to me to show photographs of real people. I didn’t want any of this project to be idyllic. I wanted it to challenge your perception of being pro-life in someway. I’ve been happy to see that working as I get peoples reactions and opinions of the work. It seems that something different stands out to everyone and I’m really excited about that. I hope that it challenges everyone differently.””
Collage is particularly powerful in that it gives the artist the ability to build metaphors into the creation of a single image. Take this image of the prisoner for example.
The orange wall behind the prisoner’s prisoner’s head is cut out to resemble a halo. A blue cloth is draped over his orange jumpsuit, which is often how Christ is portrayed in traditional icongraphy. A hand in the gesture of blessing in traditional completes the icon, inviting us to see this prisoner as the image of Christ. The symbolism deepens as you notice the white space and numbers behind the prisoner’s head. This recalls the mug shot, a particularly unsettling moment of condemnation. To his right, the arm of a crucifix protrudes and above it the words “death sentence.” Below his arm, the plaque that marked Jesus’ cross is placed. “The King of the Jews.”
We cannot help to see Christ in the image of one of our culture’s undesirables, a black felon condemned to death row. This relationship between Jesus and the prisoner created through the collage leads us to contemplate both the prisoner and Jesus in a new way. We tend to think that “these people are get what they deserve” and are happy that “they are off the streets.” But when I look at this collage, I feel challenged by the question: is that not how people thought of Jesus? A trouble maker? Got what he deserved?
It puts the rejection that Jesus experienced in a whole new light, doesn’t it?
It also makes us consider the death sentence in that new light as well. How can we be so quick to condemn another human being to death when we condemned the most innocent of men, Jesus, to a brutal torturous end. The prisoner and the Christ are drawn together and made one in this image. It’s powerful, it’s beautiful, and it’s alive with meaning. Great work, Ryan. Keep on creating!
Blog by Marcellino D'Ambrosio
Cofounder of Catholic Creatives
