It's always such an honor to get to recognize one of the community members whose doing work out there in the real world. Our members have done some amazing things, from designing the titles for Wonder Woman, to launching a kickstarter that made 200,000 in a day. Will's work in "The Long Road Home, a National Geographic mini-series that chronicles the events of April 4th, 2004, when a platoon was ambushed in Sadr City, Baghdad, in an attack that came to be known as "Black Sunday."
Will was one of the assistant art directors for the series. They work with the production designer and art director to create a vision for all the locations and sets, which is saying something considering that the set was the largest working set in America during it's filming. Will and his team's work on this is beyond a shadow of a doubt a massive undertaking that ultimately lead to this series' unique visual identity. I mean, honestly, to get a handle on what kind of set design we're talking about just look at this picture:
Learn more about The Long Road Home.
Will, keep up the good work, brother. You're making us proud.
At that first Summit, I felt in my heart a spring of water push up out of the dry desert clay and begin making a garden of the wilderness inside me just as those mission trips did so long ago. The thirst in my soul is for the Church to look like family again, and when I look around at the men and women who’ve heard the call in Catholic Creatives and answered it, I don’t just see temporary friends, I see brothers and sisters.
I want to share this story because I believe in my depths that if we keep the community safe behind our computer screens, then we will never live to see a New Renaissance.
We’re not sure how or when it happens, exactly. Is it when two creatives sit next to each other and laugh at the same joke from a Summit speaker? Does it start as mutual admiration on a Show-Off Tuesday post? Is it even smaller, like a podcast downloaded, a product purchased, a video watched? Whenever it happens and however it develops, we know one thing for sure: Catholic Creatives is a hub for connection.
I worked in ministry, but couldn’t coax myself to join any Catholic young adult communities. I didn’t want to have to hide the fact that I did yoga in the mornings or listened to NPR. Deep down, I honestly had lost my dream for the utopic Catholic community I saw at that Steubenville conference. I kept my distance, instead making friends in the Dallas start-up circles. That is, until I found Edmund Mitchell’s Facebook profile.